For this exhibition, Gilmore states that he tells a story of "the history and the future." Three prints of a manhole onto paper allude to the story of the process of industrialization. These "prints" carry a "silent beauty," being the paper is white and the embossed print of the manhole being not fully rendered on the paper, the viewer is provided with a sense of what once "was," "can be" and "will be." It is almost as if the embossing is a suggestion.